"Lotus Opening" by L. Folk

Sunday, December 4, 2011

Starfish and Snowflakes

December 4, 2011

I think I've been suffering from writer's block. I spend the day fighting the urge to pull the blanket over myself and curl up on the couch. I have ideas about doing things, writing things, but I only think about doing them. With all this thinking about and not thinking in I have become immobile; this is writer's block at its best. Or is it the pregnancy that is making immobile, still sick...this leads to thinking about doing and not doing because I can't do. This is when those little thought needles poke at me: what are you going to do if your babies are sick? What about the publisher that's deciding on your book? Cerebral palsy, MS, down syndrome. My brain grapples with protection; how do I protect myself from tragedy and disappointment? What can I do? How do I condition myself? I can't.

I have read that the Buddha said enlightenment always accompanies you, no matter how stuck you are. I sit on the mat and call God's name like a baby bird calling to its mother for food. Is God the sheer radiance of the sun that parts the leaves of the trees and hits my third eye? My third eye conjures up a starfish, or is it a snowflake? Five pronged, delicate, with ornate design. Intricate. Unique. And I sit here wondering why this image has popped into my head. In the winter when it is cold and dark, it is easy to see the hardship. And yet, if you look closely at the snowflake that has fallen on your glove you can see the beauty and design behind winter. It may appear to be only barren and cold, like an artist's drought, but it isn't. You just need to observe more closely. This is enlightenment.  

Pregnancy has brought its own kind of winter and hardship, but one could argue my body is being artistic by creating these unique, fragile forms inside me. I have tapped into another side of my creativity. Body creativity.

The starfish, on the other hand, is something I am not entirely familiar with. I have never found one walking these north shore New England beaches. I can only surmise it lives at the bottom of the sea, just offshore. It clings to things.  But it is hidden. So starfish are abstract to me, and the babies are too. I know they exist, but they are hidden under water, clinging to me. I see them in ultrasound pixels, but these pixels are separate from me. I try to connect with the babies, ring my Tibetan bowl, meditate by holding my belly. My desire is to put these little abstractions at ease. Josie falls into a deeper sleep when I ring the bowl; her doggie eyelids droop and her tail gives a sudden wave. I have to believe this sound is universally soothing, even to abstract forms.

Tomorrow we do the fetal survey. I'm nervous.

Wednesday, November 30, 2011

Elevated Amongst the Bones of Ancestors


November 19, 2011

At 8 AM, God winks his wide bright eye at me, as if I am doing something right. At 9, a walk up the hill with my dog amongst the gilded and pale; Autumn has spread and folded her russet wings. We walk the same route looking for new relics, a glistening stone, a hawk's feather. At 11, I think of hunger, my dead mouth. I envision their illuminated, capsulized forms writhing and practicing being bodies. I dress my outside self, weigh the day. It weighs forty pounds, but is lifting.
I perform, walk the tight rope with firm hips, discriminate between foods. A bubble rises and pops at the back of my throat echoing their needs. My body is their body.
At 5, the sky looms like breath and I lie supine like a queen, amused by the trees, some in evening gowns of shot silk, others in naked tree flesh. It is an ephemeral dance of sensuality and regality in this waning November light. At 7, God's great eye closes. Later, the dreams of strangers will find the crook of the Earth. Their souls will fill the sky with amorphous shapes, bodies filled with glistening light radiating forth from a million facets in the shapes of gilded flowers and eggs.

November 27, 2011

This past Thanksgiving we took the long trip to Pennsylvania to visit my in-laws. It was a much needed respite from my harried life (although Wednesday's traffic wasn't fun and made us doubly harried). On Friday, after we had a spent a day gorging ourselves, we went out on a little scavenger hunt to find the graves of Richard's ancestors. It was a nice day, relatively warm to be meandering among the idyllic farmland and hills. We found the grands, the greats, the great greats, the great great greats, and the grand daddy of them all: Lorentz Klein, great great great great grandfather to my husband who came over on the ship, the Phoenix with his father Philip and made a home by the banks of the little Lehigh. Lorentz and the rest of Richard's patriarchal side were German immigrants; their tombstones were etched in German with ornate letters we could only surmise by the numbers associated with them. Lorentz had a flag and was easy to find because he was in the militia during the Revolutionary War ( a private, I believe). We also found one of his sons, Christoph, who was rumored to shoot himself cleaning his gun. The Klein family home was just downstream of the little Lehigh river, down the street from the graveyard. It was a fine house, built of flat river stone up on a hill. Anyway, I wrote a poem about the experience and made note of how these pilgrims buried in the earth had a link to my own children buried inside me. The poem is unfinished, but it still makes this point.

Above the valley where the little Lehigh flows
The Klein house, built of gray river stone
tops a green knoll and has its eyes on the river.
Years ago, when the sons of the settlers lived,
they figured amongst that small river life,
dug for crayfish among the fertile banks
or doused cloth like the heads of infants,
the lazy draped trees with their soft trusses
at their backs, the brambles at the banks
with tart berries swallowed whole by lovers,
with its wine-like juice on their tongues.

Imagine now, flour in the creases of the palms
of the eldest girl, the moist rise of bread
inside the hearthstone with her thoughts
baked inside, a woman's rising stitch
that extends the life of cloth, a man's groaning
bones in the fields, the sinew of his muscle
toiling with earth, coaxing it, coaxing it.

Imagine also a boy's hands, tugging
at the hollow knobs of udders, the toll
of the bell in the fields of the beasts'
return, the formidable toll of a higher bell
on Sundays where a log cabin chapel
houses their pious heads bowed
in the direction of the pews as the river
flows high or low, a constant murmuring
under joined voices, a source of water
for their daily ablutions, for beginnings
and ends.

We ramble among their graves, elevated
among the bones that once knew motion
that once knew the same code of blood
now pulsing through the nascent forms
inside my womb, that code of what
you will be, diggers by a different river
lovers with wine-like juice on your tongues.

Wednesday, November 16, 2011

Subtle Branding, In Memory of My Great Grandmother

Subtle Branding

Summer's wealth manifests itself
in the last of the leaves as my beating heart
pushes blood to their hungry bellies.
The aurora behind my eyes darkens.
The cave straight down the middle of me
echoes their grunts.

My husband chops wood
out in the yard as my father used to do.
Sometimes I confuse the two.
Dad, I want to call down to the cellar,
Dad? Dad?

Now here is Philomena
a floral house dress hiding her girth,
walking the path behind the woodpile.
I have known the inside of her home,
the smell of camphor and gas,
the rumble of her cauldron of sauce,
the braised letters of the old language
flavoring her telling of tales.

Gathered around her, her aging children
with stories of their own
with slender goblets in their hands,
salami rolled between their tongues.
They sailed the world, gambled, sang
and sinned
Told one another:
Don't tell Mama. Don't tell Mama.

Behind the woodpile, I led Philomena.
I was the great granddaughter,
the American, who wanted to show
the old mother my world.

Philomena, with her stockings rolled
down to her ankles, her soft leather shoes
molded to her bunions, was afraid.
Of what I knew not. Wild dogs?
Gypsies? These were of the old country.
But conquering one new world
was enough for her.

In the silence of the light,
I turned her around. She held firmly
to my arm and we both mute, carefully,
one soft molded shoe and sprite sneaker
after another
made our way back home.

It is evening and slender limbs
trace their names between the planets.
My husband has stacked the wood.
My children nap down in that cave
among the stories scratched into the wall.
The light of the fire blazes,
a subtle and gentle branding of each letter
into the backs of their skulls.

Friday, November 11, 2011

Birth Mother, Warrior (on the day we remember all warriors)

 
November 11, 2011



Yesterday one of my students, I'll call her “C”, cornered me at the end of class, as she does nearly every class, to tell me her tales of woe. Usually I want to run away. Yesterday, I stayed and listened as C told me the last time she was beat up. She had gone to pick up her son from his father's house, had rang the doorbell and the father's sister answered the door, casually talking on her cell phone, or “making it seem like she was talking on her cell phone,” as C said. She put the cell phone down, asked C how she was and then “bam” punched her right in the face. Before C knew it, she was on the ground being kicked and punched by the sister. The father of her son stood near by, egging his sister on, “Get 'er, get 'er.” C caught sight of her son in the corner watching his mother get beat up and screamed, “Not in front of my son! Not in front of my son!”
“I don't want my son to know that violence,” she told me, “but I'm doing a miserable job of keeping it from him.”
I have to say here that C is quite a character. Yesterday she came to class in a white t-shirt; you could see the pink bra underneath that matched the pink hat on her head. She is pretty, has long hair, a model face and body. She desperately wants to pass my class as she desperately wants to escape the violence in her life and the mistakes she's made. She used to fight all the time and she knew how to be ready for it: tie the hair back so it can't be pulled; don't wear long dangling earrings so they can't be ripped from your ear lobes. But now she said, she has softened with the birth of her son. She's no longer out to get people, to thrash out at them, kicking, punching and screaming to survive. She put a restraining order on the boy's father (who had also beat her up) in hopes of keeping his violent, drug trafficking lifestyle away from her son and then lifted it because he pleaded and cried. And now this, caught off guard and attacked by his pit bull sister.
While I felt compassion for C, I couldn't help but want her to find that warrior spirit of hers, get off the ground and beat the shit out of the sister. I wasn't clear on how the fight ended up; there were some threatening words and she eventually scrambled away with her son. Whatever. I guess my point is, the warrior spirit in me recognized, was awakened by, the warrior spirit in her.
Years ago a friend took a picture of me at the beginning of a trail in the woods. I was wearing a down vest that was too small for me and carrying a long stick that resembled a staff. The tight vest looked more like a corset and reminded me of the armored corset the goddess Athena is often shown wearing. I always hated that picture because by fleshy thighs were quite elephant-like and unbecoming in gray sweat pants. But I think back to that picture now and see why my friend had complimented me on it: I may have not looked pretty, but I looked confident.
Now in the throes of pregnancy, still feeling nauseous and exhausted- wasted really- nearly all the time, I need to find that warrior spirit to face my physical and mental challenges. When you're pregnant at 41, when you're pregnant at any age nowadays, the onslaught of tests and worst case what-if scenarios are enough to bring you to your knees never mind the physical discomforts. My mother tells my sister and I when we worry, to pray, pray, pray, but praying feels too much like begging and I'm not particularly clear to whom I am prostrating myself. As I said in another posting, God isn't Santa Claus.
It feels more right to meditate on the god inside me, particularly the warrior-goddess, the one with the courage, the strength, the faith, yes, and the cunning. Maybe it is not a violent strength, maybe it is a more a self-possessed, confident strength, founded on compassion for oneself and one's children; the warrior guided by awareness and compelled to make the right decisions at all costs. I wish that strength for C as well.

Monday, October 31, 2011

Mary and Elizabeth



Mary was wearing a borrowed white cotton maternity shirt that reminded Elizabeth of spring, when she herself would give birth. She wondered if she too could borrow the pretty shirt after Mary had her son and didn't need it anymore. Mary sat on the couch and lifted the shirt so Elizabeth could see her smooth, round belly. Elizabeth was intimidated by the vast expanse of skin, the winking belly button eye. Wait, wait, Mary said, here, here, he's kicking. Mary put Elizabeth's hand over her warm skin but the baby did not move. She waited for awhile and then took her hand away.  Elizabeth rested her old bones back on the couch next to Mary. Mary smiled contentedly, feeling for her son's movement. Elizabeth was worried. Elizabeth, the older one, first in most things, would be second to give birth. She thought of her own burgeoning belly and aching bones and chastised herself for not doing the necessary exercises to feel limber and young. She thinks of Mary giving birth, of the muscles inside her clenching, of Mary screaming and sweating for hours. She worries there will be complications; there always seems to be complications. Labor is a woman's work; she must descend then, into the underworld of pain and one by one surrender each organ to the work that must be done to bring a child into this world. It is great effort combined with great sacrifice. She wonders if Mary considers such things, but she doesn't ask her because she knows Mary doesn't want to talk about it. She has told her so, several times before. But Elizabeth can't help but weigh the alternatives; the descent into the underworld of pain or the wash of numbness to accommodate an acute slice to the womb. Cutting the womb seems to her a sacrilege, an invasive intrusion to such a serene place. Women have told Elizabeth about the sheet that hides all, all the blood, the sharp metal utensils, the baby itself. “Youth is given up to illusions,” she once read. “It seems to be a provision of Nature, a decoy to secure mothers for the race.” But Elizabeth is not young.
Why is this portal of birth so severe? And if she is drugged and feels nothing, is she somehow at fault for not doing her woman's work? Will the baby suffer for it? Will it become obese and lazy, non-committal in relationships?
Mary has researched all the necessary accoutrements for her baby, including but not limited to car seats, cribs, changing tables, etc. She has forwarded websites to Elizabeth regarding these items, as well as other articles on pregnancy. She avoids all deli meats and especially goat cheese. Mary knows the size of her baby week by week, and its corresponding fruit or vegetable size. Right now she's got an eggplant and Elizabeth two lemons for the twins she carries. Elizabeth remarked how that seemed right, because the saliva in her mouth was continuously spewing out, as if there was something exceedingly sour and tart inside her. But she was overwhelmed by the information, by the accoutrements, by the nausea and she did not have to tell her sister this. “You need to be grateful,” Mary told her. Elizabeth reprimanded herself for her feelings. Yes, grateful. But still, why is nature so cruel?
Work, she tells herself, not cruelty, preparation; a woman must begin practicing giving up her own needs, her independence and it begins with pregnancy.
Mary tells Elizabeth the baby is doing something with his hand; she can tell the difference between the hand and a foot now; she is that in-tune. Elizabeth herself feels nothing inside her but the groaning of her ligaments. She feels guilty for each one of her aches and pains. She feels remorse for her heavy thoughts.
Mary pushes up her girth from the couch, pulls down the white cotton shirt and kisses her sister good-bye. Elizabeth watches her leave, how she maneuvers herself through doorways and down steps. “Blessed, Mary, are you as a woman,” she thinks, “and blessed is the child you will bear.”

Sunday, October 23, 2011

Nature's Grace and the Rise of the Diaphanous Moment


October 23, 2011

A blight has taken the maples; their leaves are shriveling before they take on exuberance. I find this unsettling. Last week, I walked the beach one gray morning and there were long strings of fish eggs, gelatinous red masses that suggest a salamander's hand. Josie crouched every ten feet or so with her ball between her paws and nudged it down for me to kick. Sometimes she pulls a Charlie Brown and takes it away from me before I get to kick it. Other times I hit it haphazardly, still others square on and it glides across the broken mussel shells. We play this little game while making our way north toward Dane's Beach. I reasoned then, how the clouds were padded so thick and the water lapping at the shore was not unlike a womb. But then again, I see wombs everywhere these days. So I walked the beach northward in my water womb world thinking of the blight in the maple trees and Annie Dillard's essay on “Seeing”, feeling like I should write something similar. I was inspired, but jealous. Dillard's close observations of the uninterrupted natural world are breathtaking:

At last I stared upstream where only the deepest violet remained of the cloud, a cloud so high its underbelly still glowed feeble color reflected from a hidden sky lighted in turn by a sun halfway to China. And out of that violet, a sudden enormous black body arced over the water. I saw only a cylindrical sleekness. Head and tail, if there was a head and tail, were both submerged in cloud. I saw only one ebony fling, a headlong dive to darkness; then the waters closed, and the lights went out.

And...

What I see sets me swaying. Size and distance and the sudden swelling of meanings confuse me, bowl me over. I straddle the sycamore log bridge over Tinker Creek in the summer. i look at the lighted creek bottom: snail tracks tunnel the mud in quavering curves. A crayfish jerks, but by the time I absorb what has happened, he's gone in a billowing smokescreen of silt. I look at the water: minnows and shiners. If I'm thinking minnows, a carp will fill my brain till I scream.

I notice the difference between adult gulls and their yearlings, how the yearlings follow their white breasted mothers crying and calling out continuously until she gets it in her head to take off over the waves. The babe follows. She tricks him, boomerangs back. (Will the independent artist spirit in me want to flee her crying children?) He figures it out, turns around and lands beside her crying and crying. Sometimes she relents and feeds him with a scrap of oyster or clam. He still cries. He is bigger than her, speckled, dirty-looking, incessantly demaning. She is svelte white with a touch of gray and a strong yellow beak. In the sand, there are rivulets, water trickling in arabesque designs. I think of taking a picture of a section, undisturbed, without footprints nearby, but then I walk along and forget about it. I walk and there is always something that interrupts my walking, a bottle, someone's lost pile of dogshit, the spray paint defacing the stone wall advertising the rights of Occupy Boston. I look northward to the Misery Islands with the power plant at my back; when I have to turn around, I regret it, because my view is spoiled by stacks and tanks and power lines. I'm jealous of Annie Dillard's uninterrupted nature, her startling moments as a witness to nature's grace.
Such glimpses are never guaranteed, never expected. They are gifts and the surprise factor adds to the element of grace, like the day I walked the paths through Phillips aside the reservoir and saw the specter of a deer's tail. (It must have been a buck; they're more clandestine). Josie went to investigate and the deer evaporated in mid air. There was another chance meeting, with a hawk, also in Phillips. I saw the full breast of him, speckled, his regal sloping shoulders and prominent beak, the glance of his eye. He spied his prey, spied me, his prey again. He ascended upward like a god, above the canopy. Then there was the owl in Ravenswood, walking with Maureen and Ralphie. My father had just died. We saw a flurry of gray; I can still see him looking down upon us, his stern brow. I thought my father's spirit occupied the bird; something had to drive him there; I wasn't one to see owls.
These brushes with nature's wild grace, totem spirits, are too few for me. I have a hunger for more, but there is always time and logistics and money that keeps me bound to home and routine.
But I have my own nature's grace happening inside me, lest I not forget. I try to commune with these little beings, imagine myself inside myself. Here is a poem about that:

Diaphanous Moments

Water rains down
from the roof of my mouth
and pools at the ligaments
of my tongue.
This morning my uterus
coughed up a dustball,
the discarded claws and dander
of the rabbits burrowing silently
in the soil of my womb.
I place myself inside myself
and witness the slow crawl of atoms
of silence and sinew and sweet-meat.
I spy, float between you,
tethered by thought strings.
See there, a twitch, a solitary stimuli,
the trajectory of a comet aside
vacant ovary moons and a whirling
saturnine bowel with probing eye.

I open my eyes
and the solar system shrinks.
There is a dark cave to my stomach;
out belches dust, the murmurs
of the supine and sleeping hares.
They feed. They dance.
I am chained to this incubator,
to these belching caves.
I pray for the blessing of the fleet.

People tell you all sort of things.
Secrets. Lies. They hoard
the glistening pennies in the well.
They say nothing.
I wait for those diaphanous moments,
those gems when I see
my child hand in God's hand,
my child's hand in my hand.

There is a footpath
off the precipice.
It too is diaphanous.
It spans the length of the chasm.
I walk there, blind.

I can only reach them through imagination and poetry. Yes, there is the ultrasound machine and yes I revel at their images, but science is the intercessor. The babies are on the screen are away from me. My brain can't comprehend how the pixels describe their universe inside me.

My sister says that when you feel them move, you know. That bit of quickening, that kick of baby limb, tells all. Until then, I will have to reach them in other ways.
 

Sunday, October 16, 2011

Bittersweet Grace


October 16, 2011

As of late, I have felt too tired and sick to realign my mind so the default status of depression and frustration has virtually usurped me. I'm not particularly sure why depression is my default status, but I surmise it may have to do with the profound dissatisfaction I have with society. This is no new news. Perhaps it is the mounds and mounds of junk mail we are bombarded with, or the trite, impersonal conversation between myself and my neighbors, or the ridiculousness of television (most especially the vain, schadenfreuden-esque reality shows) or the vision-less, idiocy of the tea party wack-nuts, or the abusers of children, women, men, animals and/or the environment, or the wounded veterans, or the monotony of marriage, or my miniscule paycheck for the mounds of effort I put into teaching. To combat all of this, I escape into imagination, my writing, and I haven't been able to do that. I haven't been able to fully recuperate from the world. Moreover, the house is a mess, there is hair everywhere -both mine and Josie's- toothpaste globules in the sink, the ring around the tub, an endless supply of dishes, the crumbs on the kitchen counter. What I have found is that virtually everything in this world takes some sort of effort, and to realign your mind is no different. So what I sit down and meditate for today is grace: the gift of well-being and peace that comes without effort.
This past week I experienced grace for the first time in years. I have been especially apprehensive to carry three babies, but I decided to do it because I could not bear to “reduce” one. So I was going to involve myself with the monumental effort of carrying triplets. Last Friday when we went for the ultrasound to see how they were progressing, Baby A and Baby B were jumping and gliding across their sacs like little nymphs. Baby C, however, was curled on itself, still. There was no flickering of heartbeat. I wept when I saw the little thing. Baby C had given up. I did not realize this was grace at the time- I was filled with grief and empathy because Baby C, believe you me, I feel like giving up too, sometimes, and I say to you, Godspeed, little one, stay behind the veil until you've got all the strength you can muster up to make it into this world, because, my angel, it will take nothing less.
So I was spared my efforts and bittersweet grace had descended and I pray with great fervor for the two bless ones who remain.